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| Monday, March 21, 2005
Round two of Ring falls short, leaves audiences wanting moreBy Paul Robertson / Staff writer
That pesky, homicidal VHS tape is back with a vengeance in "The
Ring Two." This time, though, the victims are the audience members,
who have the grave misfortune of sitting through nearly two hours of horror
clichés, jump scares as planted as corn rows and so much cast-off
dialogue that one would believe it was pulled from the depths of a soap
opera screenwriters wastebasket. "If you ever get scared, just
listen to the sound of my voice
follow it," says an almost-convincingly
frightened Rachel (Naomi Watts, "21 Grams") to her son, Aidan
(David Dorfman, "The Ring"). Heard that before? Thought so.
"The Ring Two" has nothing new to offer anyone, especially fans
of the horror genre. Samara (Daveigh Chase, the voice of Lilo in "Lilo and Stitch"),
is back from the murky well into which she was cast at the end of "The
Ring." This time, she only wants the nurturing affection of a mother
figure, which is completely ludicrous in light of the conclusion of the
first film. Samara places herself into yet another videotape in order
to perpetuate fear, death and plentiful box office receipts. At the start of the film, Rachel investigates the mysterious death of
a 17-year-old boy who died in front of a television set on a soaked living
room carpet. She finds and ejects the wicked tape and burns it in a fire
barrel beneath the Golden Gate Bridge. The tape squeals in the fire. Yes,
it literally shrieks, like a ghost. Samara gets angry and does what any
child ghost in her situation would do she takes over the body of
Rachels son, Aidan, in an attempt to find motherly support in Rachel. Gore Verbinski, who directed "The Ring," unfortunately did
not return to direct this worn and tattered sequel. Hideo Nakata, who
directed "Ringu," the scary Japanese film on which the original
was based, has directed "The Ring Two" with a labored lack of
confidence. While his shots are well-staged, he has seemingly no control
over his cast. The performances are mostly mediocre at best, which is a shame considering
Wattss already-proven acting talent. The exceptions include Sissy
Spacek, who delivers an excellent cameo as Samaras troubled and
mentally ill biological mother. Chase, as Aidan, is convincing in his
roll as a frightened little boy with a ghost stuck in his soul. The films score is dreadful. There are moments that are accentuated
by "danger music" that just seem ridiculous. One such moment
occurs during a scene that involves a visit to Samaras old house.
As Rachel drives down a dirt road, so many high notes are struck that
it seems as though the score is trying to remind the audience that "The
Ring Two" is, indeed, horrifying. It begs to evoke scares. Apparently
driving down a dirt road at 15 mph in the middle of the day is a very
frightening ordeal. "The Ring Two" is a muddled film at best. It has an incoherent plot and no true moments of suspense or fear. The frightening jolts that its trailers promise are lost amidst a poorly written script and a commitment to meet a cliché-per-ten-minutes quota. Save your money. Rent the original film or just watch the trailer and make up a storyline to go along with the images. Anything imagined will likely be better than what this soggy sequel has to offer. "The Ring Two" |
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