
Hip-hop artist wraps up year with show
Review
by Nathan Chiantela / senior writer

Chris Labzda / senior photographer
Cee-Lo performed at the College Center Grand Ballroom on Tuesday night with Indigenous Womb. Cee-Lo commented that he was glad to be performing with Indigenous Womb, and was glad that true hip-hop was still alive.
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Two very different acts hit the stage in the College Center Grand Ballroom
last night with a very common goal: to keep hip-hop alive. UPB,
in association with music industry class 422, brought Cee-Lo and
Indigenous Womb to JMU.
The first group to hit the stage was Indigenous Womb, a band whose style
only only be described as underground. The band's sound goes back
to the old-school style by keeping beats simple and lyrics constantly
flowing. Armed with towels and turntables, the group quickly won
over the JMU crowd with everything from Wu-Tang covers to dance
hall and reggae jams.
With five emcees and one deejay, Indigenous Womb kept the energy
high for their full set. In fact, at points they literally were
shaking the simple stage with their jumping antics.
The fact that group members did not wear a single ounce of gold
or platinum jewelry contradicts the stereotypical hip-hop image.
Indigenous womb proved that a group does not need bling to rock
a show — their beats and clever lyrics alone won over the audience.
Along with their inventive flow came another level to their show
involving props and, at one point, a kung-fu exhibition involving
nunchucks.
The show ended with freestyles from each of the five group members,
and appreciative words for the audience.
"Don't skip a show with Cee-Lo and Indigenous Womb just 'cause
you got finals next week," a band member yelled out during
the show.
Immediately after the show Indigenous sat down, still sweaty from
their high-energy show, to answer a few questions about the future
of hip-hop.
"I think that right now, hip-hop is changing and transcending,
but will never die," the lead vocalist said. The group believes
that right now mainstream hip-hop is lacking creativity, and the
industry is more concerned with mimicking the most popular acts
rather than coming out with something new and fresh.
Fans of underground sound should check out Indigenous Womb's debut
compact disc "Concept-Shun," coming this summer.
By the time Cee-Lo hit the stage, the audience still was hyped
from the first performance and a show between sets from the Breakdance
club.
Coming all the way from Atlanta, Cee-Lo started things out slowly,
but quickly was able to excite the infamous JMU party atmosphere
with the audience. Casually dressed and surrounded by two green-shirted
men, Cee-Lo put on the show people had come to see.
Though Cee-Lo took a few breaks to rest over the course of his
set, he still wowed the audience and brought a great deal of energy
out of them. Cee-lo uses funk, soul and Southern style to make the
crowd jump.
"I'm glad to see true hip-hop alive and well," Cee-Lo
commented referring to Indigenous Womb, and also the Breakdance
club. He highlighted the best songs from his most current CD, and from
work he did with Outkast and Goddie Mob.
Cee-Lo also was glad to see that "everyone is enjoying music
together" in a positive environment such as JMU.
Cee-Lo decided to end the night full of energy with his new single,
"The One."
"That show was off the hook," senior Fred Jackson said.
"Cee-Lo did his thing tonight." |