Thursday, September 9, 2004

‘Gatsby’ provides old-time thrills, new contemplation of real world

All Things Literary
by Geary Cox / senior writer

I picked up "The Great Gatsby," by F. Scott Fitzgerald the other day for my American literature course and nearly put it back down after reading the first sentence. It’s an American classic, if not a ubiquitous high school novel. I had, after all, read the novel in eleventh grade — I could remember major plot points. I could even remember the theme: the American dream.

In eleventh grade, we read to discern the relationship between the quest for the American dream and the characters. I read this time to understand how a few years of college courses and the impending doom of the "real world" would affect my perceptions.

The novel opens with a naïve Nick Carraway moving to Long Island, N.Y., to begin work in the financial business. He catches up with his cousin, Daisy Buchanan, and meets his terribly eccentric neighbor, Jay Gatsby. Through Nick, we learn that Gatsby is a less-than-respectable businessman who has spent the better part of his life amassing a great fortune. Gatsby then spends this fortune trying to buy the affections of the woman he has loved for many years: Daisy Buchanan. Small problem — Daisy is married.

Nick narrates through Gatsby’s lavish parties — the sparkling glitz Gatsby provides to attract Daisy — and the seedy undercurrent of rich people participating in his self-destructive behavior.

I oversimplified the plot, but, at just over 200 pages, "Gatsby" isn’t a long novel. What detracts from the story is that none of the characters are noble individuals — even our narrator, Nick, participates in a Gatsby-like scheme. Nick arranges for Daisy and Gatsby to meet for the first time in a long while, and this meeting serves as a catalyst for the novel’s tragic, fatal ending.

Nor is "The Great Gatsby" a positive, uplifting story. All of the characters Fitzgerald designs — though thinly veiled — are sad and pathetic. The bright lights of Gatsby’s parties fail to hide the tragic lives of the partygoers.

The most comforting message of Fitzgerald’s masterpiece also is the harshest of all — Gatsby has such faith that he can buy Daisy, and that he can buy his American dream. He can’t — his life is wasted on a vision, and you can’t buy vision — not even with the type of money he has.

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